latest news   •   about us    •   programme      membership   •   archives   •  CREATE Forum  •   CREATE interactive   •   links   •   contact      home  

high contrast view     standard view

Colour Heritage and Conservation
Università Degli Studi Di Milano, Italy

19 - 24 October 2009

As they become available, you can read the papers given at conference by following the highlighted links below.

Nicola Ludwig1, Marcello Picollo2, Alessandro Rizzi3, Carina Parraman4 A report on the CREATE Italian event: Colour in cultural heritage


David Saunders, Colour changes in painted surfaces
Kieron Webb,
Colour and the restoration of motion picture film
Janos Schanda,
Colorimetric calculations, colour appearance and colour rendering
John McCann,
Colour Reproduction / Colour Gamut Mapping: Two Sides of the Same Coin
Boris Pretzel
Seeing red: the beauty and complexity of colour vision
Giorgio Bonsanti,
Artworks and Polychromy
Diane Kunzelman,
Pictorial restoration: techniques of integration of paint losses and their evolution to the present day
Ferruccio Petrucci,
Image Diagnostics of Contemporary Art: some instances and perspectives
Carinna Parraman,
The longevity of ink on paper for fine art prints
Chaker Larabi
Cinema: moving towards all digital
Daniele Torcellini,
The History of the Colour Reproduction of Artwork
Elza Tantcheva,
Analytical methods of investigating colour in an art historical context

Workshops :
Majed Chambah Automatic techniques for digital colour restoration of movies
Marco Gargano Fiber Optics Reflectance Spectrometry and Pigment’s layer identification
Francesca Persegati
The Montelparo Polyptych, a restoration between art and science. & 2nd download
Susanna Bracci
& Marcello Picollo UV-Vis-NIR Spectroscopic characterization of glass
Nicola Ludwig
Colours for painting diagnostic: problems and experiences
Giorgio Trumpy 2-dimensional digital imaging of artworks: general aspects and the issue of colour accuracy