Colour Heritage and Conservation
Università Degli Studi Di Milano, Italy
19 - 24 October 2009
As they become available, you can read the papers given at conference by following the highlighted links below.
Report:
Nicola Ludwig1, Marcello Picollo2, Alessandro Rizzi3, Carina Parraman4 A report on the CREATE Italian event: Colour in cultural heritage
Papers:
David Saunders, Colour changes in painted surfaces
Kieron Webb, Colour and the restoration of motion picture film
Janos Schanda, Colorimetric calculations, colour appearance and colour rendering
John McCann, Colour Reproduction / Colour Gamut Mapping: Two Sides of the Same Coin
Boris Pretzel Seeing red: the beauty and complexity of colour vision
Giorgio Bonsanti, Artworks and Polychromy
Diane Kunzelman, Pictorial restoration: techniques of integration of paint losses and their evolution to the present day
Ferruccio Petrucci, Image Diagnostics of Contemporary Art: some instances and perspectives
Carinna Parraman, The longevity of ink on paper for fine art prints
Chaker Larabi Cinema: moving towards all digital
Daniele Torcellini, The History of the Colour Reproduction of Artwork
Elza Tantcheva, Analytical methods of investigating colour in an art historical context
Workshops :
Majed Chambah Automatic techniques for digital colour restoration of movies
Marco Gargano Fiber Optics Reflectance Spectrometry and Pigment’s layer identification
Francesca Persegati The Montelparo Polyptych, a restoration between art and science. & 2nd download
Susanna Bracci & Marcello Picollo UV-Vis-NIR Spectroscopic characterization of glass
Nicola Ludwig Colours for painting diagnostic: problems and experiences
Giorgio Trumpy 2-dimensional digital imaging of artworks: general aspects and the issue of colour accuracy
back