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Colour Heritage and Conservation
Università Degli Studi Di Milano, Italy

19 - 24 October 2009

As they become available, you can read the papers given at conference by following the highlighted links below.

Report:
Nicola Ludwig1, Marcello Picollo2, Alessandro Rizzi3, Carina Parraman4 A report on the CREATE Italian event: Colour in cultural heritage

Papers:

David Saunders, Colour changes in painted surfaces
Kieron Webb,
Colour and the restoration of motion picture film
Janos Schanda,
Colorimetric calculations, colour appearance and colour rendering
John McCann,
Colour Reproduction / Colour Gamut Mapping: Two Sides of the Same Coin
Boris Pretzel
Seeing red: the beauty and complexity of colour vision
Giorgio Bonsanti,
Artworks and Polychromy
Diane Kunzelman,
Pictorial restoration: techniques of integration of paint losses and their evolution to the present day
Ferruccio Petrucci,
Image Diagnostics of Contemporary Art: some instances and perspectives
Carinna Parraman,
The longevity of ink on paper for fine art prints
Chaker Larabi
Cinema: moving towards all digital
Daniele Torcellini,
The History of the Colour Reproduction of Artwork
Elza Tantcheva,
Analytical methods of investigating colour in an art historical context


Workshops :
Majed Chambah Automatic techniques for digital colour restoration of movies
Marco Gargano Fiber Optics Reflectance Spectrometry and Pigment’s layer identification
Francesca Persegati
The Montelparo Polyptych, a restoration between art and science. & 2nd download
Susanna Bracci
& Marcello Picollo UV-Vis-NIR Spectroscopic characterization of glass
Nicola Ludwig
Colours for painting diagnostic: problems and experiences
Giorgio Trumpy 2-dimensional digital imaging of artworks: general aspects and the issue of colour accuracy


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